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“I needed to create a space that was severe and avoided any kind of sentimentality or attachments, a blank slate to completely obliterate, to concentrate on listening to what I really want,” he tells MR PORTER. The Spring/Summer 2019 collection makes references to the Russian constructivist architecture movement and the biblical Tower of Babel. The collection was shown at Palais-Royale in Paris with a tower the center of the runway bearing inspiration to Tatlin's Tower. Richard Saturnino Owens (born November 18, 1961) is an American fashion designer from Porterville, California.
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Working out here every day, Owens is in what he considers to be the best shape of his life—which is saying something. But if his dedication to the weights and his work regime seems severe, his intentions during his summers in this apartment are anything but. He comes here to play, to lie on the beach and bask in the balmy, placid sea, to read and dream and make plans—and, you know, play dress up in a silk chiffon cape, obviously.
SECOND FLOOR
At home in Paris with Rick Owens and Michèle Lamy - RUSSH
At home in Paris with Rick Owens and Michèle Lamy.
Posted: Sat, 04 Sep 2021 07:00:00 GMT [source]
As an ensemble, the team looked fearsomely Owens-ish, while the atmosphere they created was the opposite of fierce. One assistant who had been with the company for 22 years received a surprise birthday cake to great applause. Another colleague cried, happily, as speeches were made marking his 10 years with the team. Most of the conversation seemed to revolve around family; would the digital director get home to Australia in time for the birth of his second child? When was so-and-so going to settle down and have her first?
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"I like putting myself in that zone," he explains. Army blankets are obviously also about protection. Beuys’s own myth was that he survived hyperthermia following a plane crash by wrapping himself in army blankets.Protection is really important to me. Recently I discovered Paul Virilio’s Bunker Archaeology and I was like, “This is the book I’ve been looking for! ” These hugely protective cement environments built by the Nazis along the French coast to fend off the Allies, they were so haunting, so beautiful. Solid, impenetrable, the kind of places you can crawl into and pull a casket over yourself.
"I use them as a 'memento mori' to remind myself that everything is impermanent," says Owens. A collection of pistols reminds him of his father, who had a difficult relationship with him. "They are a loving reminder of him now," says Owens. Owenscorp Bar is a communal space across from Owens' factory building. This is where Owens' team members and the community can eat and drink. "It's a place where you can relax and have something to eat or drink," says Owens.
It's this huge gray, gothic space that I love being in. Museums and gardens, that's the best thing that the city can offer. I've always done that because it all has to be the same thing.
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I always endorse that and love that and encourage them to celebrate it. So to be able to ask them to collaborate, that was my small way of connecting to the community that has been so loyal and that comes to my shows that I'm excluding today. In the latest episode of Vogue’s Objects of Affection series, Rick Owens discusses his Giacomo Balla chairs, his Owenscorp furniture, and the apartment’s pièce de résistance, an ancient Egyptian sarcophagus. Owens' home in Italy is a place that allows him to express his creativity. With little decoration and a minimalist aesthetic, he creates a space that is spiritual and relaxing at the same time. "I like going into a space where I can work without anything bothering me," he says.
Owens' living space is an example of how to connect the past and the future. He shows objects from his homeware collection as well as relics from earlier interior work. "I love combining the past and the future," he says.
Rubber jackets and trousers were made out of recycled bicycle tires with Matisse Di Maggio, a member of the Paris BDSM scene. The cult of Rick is always represented in his singular casting, which this time included Steven Raj Bhaskaran of the extreme Canadian body-mod duo Fecal Matter and the exiled Russian trans artist Gena Marvin. This is an edition of the newsletter Show Notes, in which Samuel Hine reports from the front row of the global fashion week circuit.
That was the closest I ever got to “Double Negative.” I sense a lot of testosterone and ego. There was something a little bit more sincere about it to me, something about becoming one with your environment in such a primal, primitive, huge, grand, explosive way. I feel that every time I go swimming in a sea or an ocean, I feel like I’m having intercourse with the world, which makes me feel insignificant in the best way. I identify with the sense of expressive bombast. But I feel that what I’m doing is a very gentle proposal to reconsider good taste or the standards of conventional beauty, which can be very, very rigid. To populate this utopia, Owens established a cast of collaborators which he sees as embodying a new way of living – ‘creatives who live their aesthetic defiantly and completely’.
Make your way up the colossal concrete stairwell, and there are geometric marble chairs puzzled between silver racks filled with leather jackets, funnel-neck dresses, and asymmetrical tanks. It’s the perfect convergence of fashion and furniture, with everything single-handedly crafted by Owens. And while he’s best known for constructing imaginative gothwear, Owens’s creativity also expands into just-as-inventive furniture design. AD caught up with the designer at his Manhattan flagship to discuss his interior influences, location-specific design, and the development of his “anti-cozy” crusade.
Rick Owens Opens the Doors to His Minimalist Venice Home - Architectural Digest
Rick Owens Opens the Doors to His Minimalist Venice Home.
Posted: Thu, 12 Jul 2018 07:00:00 GMT [source]
And also, I'm sure that I'm absorbing some information like, "This is happening a lot. Let's not go in that direction," that kind of thing or things to avoid. There are elements of conspicuous consumption that I'm seeing that are like, "Wow, things really to avoid." Because we're living in barbaric times, and we need to make barbaric statements. I'm just reflecting the frustration that I sense in the world. After I was handed a coffee, Lamy gave me a quick tour of the art, pointing out where—for safety’s sake—they had affixed champagne corks to the sharp ends of a spiky sculpture hanging from the ceiling.
I had her in a suite overlooking the Adriatic. She'd never been to Venice before, and she's terrified of water. That last week, she wanted to go to the water, and she wanted to see what it was like. So we actually took her out and she put her feet in the Adriatic, and then she died a week later in the Excelsior where I believe [Sergei] Diaghilev died. I know that Diaghilev and [Vaslav] Nijinsky used to stay in the Excelsior like a lot of celebrated people.
The grand salons in the front were the showroom, and the office upstairs. Eventually the brand grew too big and most employees moved to another office nearby. These days, a small team who work on the Rick Owens furniture team still clocks in at chez Owens, and he still works out of his personal design studio on the third floor when he’s not in Venice, Italy. And also, it serves my narrative because all of my shows recently have been so personal. They're all about key places that have meant a lot to me and places that I really spent time in.
One of the most intriguing collections in Owens' house are Onagadori Rooster feathers. "I've always dreamed of collecting these feathers," he says. These Japanese chickens were originally bred in the 17th century, and their feathers are particularly beautiful and unusually long. "They remind me that anything is possible," says Owens. Clearly, technical specifications are not what interests Owens in his furniture line.
Formerly the headquarters of the French Socialist party, he calls it his ‘concrete palace’ and ‘working compound’, where he began selling his collections over two decades ago. Inside, the largely concrete space is populated by sparse, brutalist furnishings reminiscent of the designer’s oeuvre. Other rooms contain the building's historic cornices and mouldings (albeit stripped back to their essence). This morning, guests filtered through these various rooms, taking places on furniture erected around their edges, winter sunlight streaming through the windows and skylights. The manse is where he and his wife, the artist Michèle Lamy, began selling their clothes 25 years ago. It soon became the brand’s full-scale headquarters.
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